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*NO* Silent Hill 2 "Beginning"

Дата публикации: 05-07-2026 18:02:17


Artist Name: Marcos Campos

This song was originally made for a game called The Call, and one of the first things that came together during development was the soundtrack. When I started, I sat down at my PC and thought, "I need a song that captures the vibe of the Silent Hill 2 soundtrack." My favorite track from the Silent Hill 2 OST is Laura Plays the Piano, so I spent some time listening to it. Eventually, I came up with White Noiz, experimented with a few samples, and the rest was history.


Games & Sources



The source of inspiration of this track is White Noiz from Silent Hill 2, made by Akira Yamaoka.



The beginning of the song and its main phrase are being referenced. I used a different type of synth, making my arrangement more spacious, whereas the original feels more confined—like James in the bathroom. However, once this phrase ends, my arrangement takes a different direction, with more of an '80s vibe.








Основное содержимое страницы с новостью.

The arrangement seems to just take the last two notes of the source's initial 3-note pattern, then just alternate those two notes the whole way through with some chorused/layered effects on them. Some generic sounds, but decent sound design to start, even though it all sounds default-y. :49 was the make-or-break moment, and it's just the addition of a very dry, vanilla synth line and plain drums on top of the pattern we heard before. A slow tempo, 1:44-long, it's not developed into much yet, unfortunately. Conceptually, there's nothing wrong with this in a vacuum, and the context of it being an opening for an album makes sense; "White Noiz" is pretty minimal and short, and this sticks with one section of it and then goes for an expansionist second half.

With all that context in mind, Marcos, there's no need to compromise the vision of this track for OC ReMix, but for here, we would need more sophisticated sound design than what's in place now, and more importantly, a more fully developed arrangement; even a gorgeous/pro audio production of this, I'd probably pass on because it's such a short idea; a slower track like this need some more time to be substantive, again just something we're pushing for with our Standards. Cool source tune choice, and I hope you continue improving your sound design.

NO

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